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A Conductor’s Guide to Selected Baroque Choral-Orchestral by Jonathan D. Green

By Jonathan D. Green

In A Conductor’s advisor to chose Baroque Choral-Orchestral Works, Jonathan D. Green's 6th book-length contribution of publications for conductors, he deals this significant other to his seriously acclaimed A Conductor’s consultant to the Choral-Orchestral Works of J. S. Bach. during this quantity, eco-friendly addresses works of the Baroque period from Monteverdi via Bach's contemporaries.

In addition to short biographical sketches for every composer, eco-friendly comprises for every paintings the approximate period, textual content resources, appearing forces, at present to be had versions, destinations of manuscript fabrics, notes, functionality concerns, evaluate of solo roles, review of trouble, and a discography and bibliography. period details comes from a number of resources, yet eco-friendly turns to real recording occasions of performances. the aim of this ebook is to help conductors in picking repertoire acceptable to their wishes and the skills in their ensembles. The discographies and bibliographies, whereas now not exhaustive, function worthwhile beginning issues for extra research.

A Conductor’s consultant to chose Baroque Choral-Orchestral Works should entice conductors in helping their live performance programming. Librarians and tune pupil also will locate this paintings an awesome reference name for the learn of Baroque repertoire.

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Extra resources for A Conductor’s Guide to Selected Baroque Choral-Orchestral Works

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The parts in the movement are simple vocally and musically. In the vocal ensemble passages there are extended florid melismas in each part. The alto and tenor solos are secco recitatives and the choral material has both continuo and concerted accompaniment. The bass solo is considerably longer than the others and has a fully concerted accompaniment. There are a few passages in which the violins are divided. This can be navigated with double stops, but the parts have two sets of stems suggesting the intention of multiple players and a true divisi at these points.

This would open the piece to less developed ensembles with a group of stronger choristers handling the more technically challenging passages. The continuo group has the lion’s share of the instrumental writing. The string parts are idiomatic and quite easy. The trumpets only appear in verse 3, mm. 78-97. This passage is included in the violin parts, and can be navigated without trumpets, but their presence is desirable. The trumpet I part is high and exposed; aside from this part the orchestral component is not challenging.

Copenhagen: Ejnar Munksgaard, 1958. Geck, Martin: Die Vokalmusik Dietrich Buxtehudes und der frühe Pietismus, 30, 33, 58, 135, 221. Kassel: Bärenreiter, 1965. Karstädt, Georg: Thematisch-systematisches Verzeichnis der musikalischen Werke von Dietrich Buxtehude: Buxtehude-Werke-Verzeichnis, 53-54. Wiesbaden: Breitkopf und Härtel, 1974. : Dieterich Buxtehude: Organist in Lübeck, 145, 177, 183-184, 369. New York: Schirmer Books, 1987. Jesu, meine Freude, BuxWV 60 Duration: ca. 12 minutes Text: The text is by Johann Franck (1653).

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