By Ben Fritz, Bryan Keefer, Brendan Nyhan
Publish 12 months note: initially released in 2004
All the President's Spin, the 1st e-book from the editors of the acclaimed nonpartisan site Spinsanity, unmasks the strategies of deception and media manipulation that George W. Bush has used to promote his schedule to the yankee people.
From his campaigns for tax cuts to the controversy over struggle in Iraq, President Bush has hired an extraordinary onslaught of half-truths and strategically ambiguous language to curl and warp the evidence. Fritz, Keefer, and Nyhan's robust critique of Bush's list of coverage deception explains why the media has did not carry him liable and demonstrates the possibility those strategies pose to sincere political debate.
This is the basic e-book for each citizen who desires to know the way George W. Bush has misled the kingdom and why, if left unchallenged, the entire President's spin may possibly quickly turn into regular perform -- a devastating improvement for our democracy.
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Extra info for All the President's Spin: George W. Bush, the Media, and the Truth
Edit When you open up a master clip (think of an entire shot from head to tail) and select a part of it to be included in your project, you are making your ﬁrst cut. The Avid calls any material that is cut together a sequence. You create a sequence by editing together clips. ” Once you have assembled the material, the next stage is to create a rough cut, in which the clips are placed in the right order and trimmed to approximately the right length. You might create a sequence on Tuesday, duplicate it on Wednesday morning, and start making changes to it.
First of all, you must be able to choose from among the choices given to you. To make the right choices you must understand the script and not just the storyline but also the subjects’ or characters’ needs. If you don’t know what motivates a character or subject, you can’t really determine which shot or which take will work best. You also must judge performance, composition, screen direction, blocking, camera movement, lighting, and sound, for all those elements can help draw in your audience. The ability to judge the material is critical whatever the nature of the program you are editing, be it documentary, narrative, commercial, or experimental.
Media ﬁles are stored on media drives. One media ﬁle is created for each track of picture and sound. 8). 8 This single master clip is linked to three media ﬁles stored on the drive. You don’t edit or work with media ﬁles; you work with the master clip. Think of the master clip as a shot. You can edit the shot, duplicate the shot, or ﬂip the shot, and all of these actions affect the clip, while the media ﬁle (the captured picture or sound) is safe on the media drive. Create Bins When you capture or import your source material, you organize it into bins.